When we scan across the surface of an
image, we are ‘reading’. Ways to create depth:
Colour
Warm colours project, cool colours recede.
Purity and shade are also factors.
Light
In real life, we rely heavily on the
effects of light to recognize objects, understand form and physically navigate
our living environment.
Focus
The clarity and sharpness of an image make
a difference. Sharp points come forward, blurred areas go back.
Figuration
Recognisable objects have their own spatial
cues, so an artist can create a sense of depth by strategically placing an
object on a surface. Photography is especially good to play with size and
placement.
Scale
If objects vary in size, or change from
real-life comparative sizes, we read the space differently. We see things as
‘closer’. If the artist plays with space, reading depth becomes complex.
Ancient Egyptian art used hieratic scale,
which is scale in terms of importance, eg. servants appearing smaller than
masters
Overlap
When parts of an image overlap the covered
part looks further away. When overlapped objects are out of proportion, the
artist breaks the rules and makes us question the world.
Egyptian paintings rely on overlap to
depict space, with image and script describing narrative effects. They also
selectively mix front and side views, which may seem strange in western art,
but they are just using this to give information, as well as their use of
hieratic scale. The gradual dominance of classical Greece narrative meant that
flattened Egyptian art was replaced with naturalistic, realistic, observational
art as society became more secular.
Hellenistic art used overlap, and a mix of
hieratic and rudimentary perspective. There was a sense of freedom and
exploration that was not exclusive to the rich.
Western perspective was unified in C14
or C15 in Italy, during the Renaissance but was also evident
in Hellenistic art.
I found this lecture informative and interesting, and it gave me a lot if information to use and research, one of the best lectures yet!
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